2016 JUNO Awards now accepting submissions for Aboriginal Album of the Year

Submissions to the 2016 JUNO Awards are now open! The Aboriginal Album of the Year award celebrates the best music from Indigenous artists in Canada. Get in there!

The Canadian Academy of Recording Arts and Sciences (CARAS) announced on October 1 that the JUNO Awards is now accepting submissions for Aboriginal Album of the Year (sponsored by Aboriginal Peoples Television Network).

The category is open to albums released by Canadian citizens between September 1, 2014 and November 13, 2015. With respect to album length, a project that is 20 minutes or six unique songs is now considered a full album and is eligible for the Aboriginal Album of the Year category. The early bird submission deadline is 5:00 p.m. EST on October 23, 2015. The final submission deadline is 5:00 p.m. EST on November 13, 2015.

From our friends at ammb.ca:

"Winning the Aboriginal Album of the Year at the JUNOS was a long standing dream of mine," says 2015 category winner Tanya Tagaq. "Being nominated among my peers gives a sense of warmth, celebration, and team work that is rarely found in a competition based system. Support our communities by submitting yourself or a friend. Our music is crucial."

Eligible music styles include all traditional Aboriginal music: Iroquois, Social Pow Wow Drum (I.e. Sioux, Assiniboine, Cree, Ojibway & Blackfoot, etc.); all Hand Drums (e.g. Inuit, Dene, Cree, Mic Mak, West Coast, etc.); Inuit Throat Singing; Traditional Flutes; Metis, Cree & Mic Mac Fiddling. In addition, fusions of all genres of contemporary music that incorporate the above and/or reflect the unique Aboriginal experience in Canada, by virtue of words or music.

Visit junoawards.ca/submissions for details and to complete your online submission.

Nominees will be announced on February 2, 2016 at the JUNO Nominee Press Conference, the 2016 festivities will be hosted in Calgary with JUNO Week running from March 28 to April 3, and the awards will be broadcast on CTV from The Scotiabank Saddledome on Sunday, April 3, 2016. See you there!

STREAM: David Morin's Soulful Debut Album 'Every Colour' is Beautiful Music for the People

David Morin is being called "the next big thing in music". Listen to Every Colour and you'll see why.

If you grew up in the era of the Soulquarians, Dilla, D'Angelo, Badu and the whole neo-soul movement—well, damn, whenever you were born—you know how those deep, souled out, hip-hop vibes make you feel.

Those jonz in your bones, everybody loves the sunshine, brown sugar, guess I'll see you next lifetime vibes. You know, those soulful feels. The everything is right in the world and despite all the pain and struggle and endless things to worry about you know you need to just kick back and vibe out kind of feels.

That goodness. That realness. Vibes.

That's what Métis artist David Morin's Every Colour has. It's music that moves you with both the rawness of its streetcorner cypher origins and the polish of its professionalism—soulful gems crafted in some hidden Vancouver version of Electric Ladyland, magic made in the quiet hours of long, languid west coast nights.

Morin's take on soul music is studied without sounding derivative. Over the album's 12 tracks, Every Colour effortlessly flows out your speakers with its expertly crafted, on point vocal performances, and produced-to-perfection sheen. But don't get it twisted: the high gloss acoustics are just a bit of honey added to the mix that soak into the depth of Morin's deft musicality and subtle lyrical jabs at systems that aren't working for the people.

Who else is crooning, as Morin does on "You and Me"—"so sadistic / on a mission /  to control the way you think / in a system / where all they do is take/ it's just a classic case / of a fascist state / lying to your face"—over a rolling bassline, Isaac Hayes'd strings, and a breezy, George Benson-esque guitar lick?

Morin makes systemic critique sound like sweet seduction.

Deeply indebted to Voodoo-era aesthetics, Every Colour overflows with D'Angelo-inspired, winding grooves, horns, strings, tasteful guitar stabs, and head-knocking hip-hop beats, that expand and contract in constant interplay with Morin's melodic, layered vocals.

Enlisting acclaimed producer Joby Baker on the boards and with Bombay Records at his back, Morin is already getting love from established hip-hop media outlets: a recent feature in The Source dubbed him "The Next Big Thing in Music" and, just this week, Okayplayer showed him love with a video premiere of his latest single, "Come Home".

Known both for his legendary street performances and live performance skills, Morin is more than just a singer—his multi-instrumental talents as a beatboxer, loop pedalist, beatmaker, and varied vocalist have set him on a rising trajectory to infiltrate mass musical consciousness. We challenge you not to get down.

David Morin is the truth. And his gospel is soulful goodness.

Every Colour is available everywhere on iTunes. Stream the album in full below, and catch him on tour or at a street corner near you.

STREAM: David Morin's Every Colour

WATCH: David Morin's "Come Home"

WATCH: Young Hand Drum Singers From Barriere Lake Dedicate Song to Honour 'Missing Sisters'

These youth from Barriere Lake First Nation show us how it's done.

Thanks to Sonny Papatie and his cousin Daniel Jay for recording it, this video of five Indigenous youth singing a traditional song to honour Missing and Murdered Indigenous Women has been blowing up on Facebook.

In just a week, the video has had more than 6,500 shares and has been viewed more than 138,000 times.

And it's not hard to see why. Standing at sunset, with a beautiful lake behind them, the video shows the five young boys—all from 10 to 13-years-old—rocking out a beautiful, heartfelt hand drum song. The boys are already amazing singers for their age and Indian Country's going to be watching where they go next.

Chii miigwetch to the Indigenous youth out there who are practicing their culture in such inspiring ways—and doing it not just for themselves, but to honour our missing sisters and uplift all of us.

WATCH THE VIDEO: Young Hand Drum Singers From Barriere Lake Sing Beautiful Dedication to Honour 'Missing Sisters'

PREMIERE: Stream Wolf Saga's "Auburn Nights" and Dive Into Synthpop Heaven

Wolf Saga's Auburn Nights, is the instant classic synthpop album you need in your life.

If you've been sleeping on Wolf Saga, now's the time to get acquainted.

Storming onto the scene with a slew of killer remixes, covers, and 80s-inspired interpretations of everyone from Foster the People and The Strokes, to Lorde and the Yeah Yeah Yeahs, Wolf Saga is elevating his game with every release.

Toronto-based Johnny Saga is the fast-rising Anishinaabe singer, producer, and multi-instrumentalist behind the project, and he's been rocking a consistently deadly hybrid electronic style that effortlessly blends synth-pop melodic sensibilities with indie rock cred and buttery, analogue elements. Check his recent set of Sessions X videos for a taste.

After dropping dope sets of covers and remixes over the past two years, Wolf Saga released My Time, his debut EP of original music, in 2014. He's been racking up accolades along the way: his epic SoundCloud stream has been clocking record numbers (his collab cover of The Strokes' "You Only Live Once" is currently sitting at +614,000 plays and was one of the HypeMachine Zeitgeist's 50 most-blogged songs of 2014), and his Vine-tastic video for "Our Time" is pushing 500k views on YouTube.

Wolf Saga's blowing up the internet and it's easy to hear why.

The title track from his latest Auburn Nights EP immediately brings to mind not only everyone's favourite whistled hook from the mid-oughts (a song that, yes, is another one he's covered), but also Johnny's own penchant for polished production, lush pop grooves, and immediately infectious electronics.

"All In", featured here in both its original form and a New Division remix, is a perfect pop composition straight out of swirling synthesized worlds of early MGMT, while "Walls" is a head-nodding, breezy blend of catchy guitar lines and Johnny's captivating vocal hooks—that pay special homage to the life of his grandmother and the teachings she passed down to him.

Auburn Nights goes deep on some neon summer, 80s-iridescent vibes—it's a perfect sunny accompaniment to the final wave of summer heat that we can all feel shimmering by. Johnny says the new EP is all about "following your dream, finding real love, and gender equality".

We like where he's headed. And it's going to be big. Time to run with the Wolf.

PREMIERE: Stream Wolf Saga's "Auburn Nights"

Catch Wolf Saga live in Los Angeles on September 14th for the Auburn Nights EP release party.

Destiny's New Video for "Orange Blossom" is a Sultry Summer Jam

Everyone's favourite Smart Girl Club rocker, Destiny, releases a video for her new single, "Orange Blossom".

Hot on the bell-bottomed, 70s disco heels of her previous release, "Soul Train", the reincarnation of the former Princess Nokia—now known simply as Destiny—continues its transformation.

Moving her retro-chic timeline forward into the early 80s, Destiny's latest single, "Orange Blossom", comes wrapped in a lo-fi, VHS aesthetic, filtered through the sunlit haze of late summer excursions.

Set amidst Coney Island's now mostly-quiet rides and arcades, Destiny struts, dances, grooves, and sways to the lilt and swing of the track's digital synths, laid-back electric guitar lines, and grooving handclaps. Lyrically, she pours on the innuendo, dropping "all natural" allusions to getting down in the heat of some sun-soaked summer loving.

"Orange Blossom" rides its soft, 80s-wave influences in less abstract and experimental ways than her Metallic Butterfly-era releases. And although Destiny is rooting this next phase of her creative expression in groove-based music that's gone before, she doesn't let sonic nostalgia define her sound, just cast a warm glow around it.

Kick back and enjoy before the long days of summer are gone.

WATCH: Destiny - "Orange Blossom"

A Tribe Called Red Adds Free Shows on First Nations Reserves to Summer Tour

A Tribe Called Red's already packed summer festival tour will now be making a few stops at the rez.

The group announced today a handful of free appearances at various First Nations this summer. The stops will also include youth-oriented workshops.

"The goal is to present top quality shows directly on reserve, by partnering with communities and bringing a mobile stage and lighting on site," says the press release and we're stoked to hear they're bringing the music into the community, an initiative that's being presented with help from the Ontario Arts Council.

Here are all ATCR's remaining summer tour dates:

07/23 Peguis First Nation, MB - Peguis Multiplex 07/24 Brandon, MB - Brandon Folk Music & Art Festival 07/25 Hamilton, ON - Pan Am Cultural Celebration (Pier 4 Park Bayfront) * 07/31 Montreal, QC - Osheaga Music & Arts Festival 08/01 Maliotenam, QC - Festival Innu Nikamu 08/12 Toronto, ON - Nathan Phillips Square 08/13 Six Nations of the Grand River, ON - Six Nations Community Hall * 08/15 Sudbury, ON - Up Fest (Durham Playgrounds) 08/21 Moose Factory, ON - TBA * 08/23 Thunder Bay, ON (Lac Des Milles Lacs First Nation) - Fort Williams Historical Park * 08/25 Sault Ste Marie, ON (Batchewana First Nation) - Rankin Arena * 08/27 Manitoulin Island, ON (Wikwemikong First Nation) - Thunderbird Park * 08/29 North Bay, ON (Nipissing First Nation) - NFN Administration Office * 09/17-20 Victoria, BC - Rifflandia Festival

* free show

Watch City Natives Burn Through Their Verses in New Video for "Beast Mode"

City Natives drop their new single and music video for "Beast Mode".

Over a banging Beaatz-produced beat, booming kick, stuttering snares, and jangling piano riff, the rap Voltron crew spit fire for three and a half straight minutes of rockin' rap goodness.

That's it. No frills and gimmicks. No makin' it rain in the club or gratuitous imagery. No fake records, just raw, rugged lyricism. True to form, City Natives bring the heat while standing their ground, reppin' the struggle while flexing their skills. 

"Beast Mode" is the second single from their latest album, Voltron, which you can stream in its entirety right here.

If you don't know, now you know.

WATCH: City Natives - "Beast Mode"

City Natives' new album Voltron, is out now and available on iTunes

Briggs, Thelma Plum, Dan Sultan Lead Nominations for 2015 National Indigenous Music Awards

Nominations for Australia's 2015 National Indigenous Music Awards have been announced. 

Leading the pack is acclaimed Yorta Yorta hip-hop artist Briggs who is nominated in five categories, including Artist of the Year, Best Song and Best Music Video (for "Bad Apples"), Best Album and Best Cover Art (for Sheplife). Briggs took home the award for Best New Talent at last year's NIMAs.

Following closely behind are singer Thelma Plum and "country soul rock 'n roll" artist Dan Sultan, who are each nominated for three awards.

Plum, who's latest EP, Monsters, was one of our favourite releases of last year, is nominated for Artist of the Year, and has two songs up for Song of the Year: "How Much Does Your Love Cost?" and the soaring anthem "Young in Love".

Sultan is also up for Artist of the Year, and his single "Dirty Ground" is nominated for Song of the Year and Best Music Video.

We're also pleased to see the NIMAs continue their Indigenous community focus by honouring several local musical initiatives produced by Desert Pea Media and Indigenous Hip Hop Projects in collaboration with local partners and Indigenous youth.

The National Indigenous Music Awards, which celebrate excellence in contemporary Indigenous music from across Australia, will be held in Darwin on July 25, 2015.

Here is the Full List of Nominees for the 2015 National Indigenous Music Awards:

Artist of the Year

• Jessica Mauboy
• Thelma Plum
• Dan Sultan
• Briggs

Song of the Year

• "How Much Does Your Love Cost?" – Thelma Plum
• "Young In Love" – Thelma Plum
• "Bad Apples" – Briggs
• "Dirty Ground" – Dan Sultan
• "Black Woman" – Emma Donovan

Album of the Year

• Sheplife – Briggs
• Dawn – Emma Donovan and Putbacks
• Uncle – Frank Yamma
• The Genesis Project – East Journey featuring Yothu Yindi National

New Talent of the Year

• Philly
• Lucky Luke
• Tjintu Desert Band

Cover Art of the Year

• Song of Arnhem Land – East Journey ft Yothu Yindi
• Cause N Affect – Radical Son
• Uncle – Frank Yamma
• Sheplife – Briggs

Film Clip of the Year (aka Best Music Video)

• "Bad Apples" – Briggs
• "Song of Arnhem Land (Salas/Moore Mix)" – East Journey
• "Human Behaviour" – Radical Son
• "Dirty Ground" – Dan Sultan
• "Parlingarri" – B2M (Bathurst to Melville)

Community Clip of the Year [now National]

• Breathe In, Breathe Out  - Produced By: Indigenous Hip Hop Projects was proud to partner with Katherine West Health Board and Bulla Camp
• Got a lot Going On - Yarn Safe Produced By: Indigenous Hip Hop Projects and Indigenous creative agency Gilimbaa
• Uncle Alfred’s Mens Group - Spear of Destiny Produced By: Desert Pea Media
• Cairns Murri Crew - Built To Last Produced By: Desert Pea Media
• Tagai Buway - Two Worlds Produced By: Desert Pea Media
• Call On Me - Produced by: Indigenous Hip Hop Projects was proud to partner with Broome Regional Aboriginal Medical Service and St. Mary's College

WATCH OUR PLAYLIST OF 2015 NIMA NOMINEES

For more information visit: National Indigenous Music Awards

Aboriginal Music Week Closing Night Concert to Feature Drezus, Mariame, Hellnback, T-Rhyme, and Boogey the Beat

RPM is proud to present an incredible night of Indigenous hip-hop, R&B, and trap music to conclude Aboriginal Music Week 2015.

The closing night of Aboriginal Music Week is the very definition of #IndigenousExcellence.

This year, RPM is partnering with AMW to bring you a concert featuring some of Indian Country's fastest rising hip-hop stars: Drezus, Mariame, Hellnback, T-Rhyme, and Boogey the Beat.

An accomplished young producer with a gift for booming beats and hypnotic melodies, Anishinaabe artist Boogey the Beat will bless us with his trap-infused rhythms. N'we Jinan artist and rising Cree R&B singer, Mariame, will be joining us from Quebec to perform songs from her recently released debut EP, Bloom. And, hailing from Saskatoon by way of Edmonton, self-described femcee T-Rhyme will bring her 'ATCQ to Jean Grae'-influenced hip-hop styles to the stage.

Rounding out this already incredible lineup, acclaimed Samson Cree hip-hop heavyweight and 2015 Indigenous Music Awards nominee, Hellnback, will give shine to tracks from his brand new record, F.O.E. (#FamilyOverEverything).

UPDATE: Tall Paul won't be able to make it, but hot off his recent Warpath Tour, we've got Cree hip-hop artist Drezus coming through to rep for the people and give us a dose of his banging beats and Native Pride-filled lyrics.

This is a closing party without compare and a showcase of what's next in native hip-hop and Indigenous music. You don't want to miss it.

Aboriginal Music Week, an annual celebration of "the fact that Indigenous artists around the world are creating music that crosses almost all musical and physical borders, without regret", runs from August 18-22, 2015 in Winnipeg, Manitoba.

With a full lineup of Indigenous music events including the Spence Neighbourhood Block Party, the Turtle Island Block Party, an AMW stage at the Austin Street Festival, and a daytime stage at Picnic in the Park, this year's AWM is going to have something for every listener and music fan.

ABORIGINAL MUSIC WEEK: CLOSING NIGHT PARTY

Saturday, August 22, 2015 The Good Will (625 Portage Ave) Winnipeg, Manitoba 9pm - 2am / Tickets: $10 RSVP on Facebook: here

FEATURING:

• Drezus
• Mariame
• Hellnback
• T-Rhyme
• Boogey The Beat

For more information visit: aboriginalmusicweek.ca

Aboriginal Hip-Hop Star Briggs Drops Inspiring New Single, "The Children Came Back"

Briggs' new song, "The Children Came Back", inspires a new generation of Indigenous youth to rise up and celebrate their survival.

Raise up your ancestors. Raise up Indigenous heroes.

That's the first thing that hits you when you watch Briggs' epic new video.

The acclaimed Shepparton-based, Yorta Yorta hip-hop artist brings together a heavy list of collaborators and video guest appearances in this respectful homage to the 1990 Archie Roach anthem "Took The Children Away". But where that song mourned Roach's own experience of being taken away, and lamented the dispossession and removal of Indigenous children that have come to be known as the 'Stolen Generation', Briggs responds with an inspired sequel that—twenty-five years later—champions "black excellence" and the accomplishments of Indigenous Nations across 'Australia'.

A literal generation after Roach's anthemic and sorrowful call to account for historical injustice, Briggs swaggers boldly to the fore of an Indigenous peoples' movement unafraid to celebrate their success.

Featuring a who's who of famous contemporary Indigenous musicians and sports stars, including Lionel Rose, Jimmy Little, Adam Goodes, Cathy Freeman and Patty Mills, the song also makes sure to represent indigeneity in the music as well.

As VICE Australia notes, "With Gurrumul and Dewayne Everettsmith adding vocals, the song features traditional instrumentation including clap sticks, a yidaki from North East Arnhem Land, and a haunting chant from the B2M, a group of musicians from the Tiwi Islands.

The video features Briggs, Everettsmith, Archie Roach, Paul Kelly and 3-year old Samara Muir who recently made national headlines with her distressing experience of racism by kids her own age."

But perhaps the highest tribute comes from Archie Roach himself, who has proudly endorsed Briggs' tribute:

"I love Briggs’ song. It's about our Indigenous heroes," says Roach. "Using a part of my song, where it says 'the children came back' is really what the song is about. I feel proud to be a part of what Briggs hopes to achieve and I really love that he used young children to play the heroes because they are our future heroes."

"The Children Came Back" is a new anticolonial anthem of resurgence and return. As Briggs observes, it's equal parts "history lesson, monologue, celebration and education in one song”.

Released July 3rd to coincide with NAIDOC week in Australia, this is the sound of a generation rising.

Watch Briggs - "The Children Came Back (feat. Gurrumul & Dewayne Everettsmith)"